Friday, October 16, 2015

Demi Lovato-"Confident" Review



Demi Lovato reached new peaks in and beyond 2013, releasing her most successful album "Demi", forming her own record label, becoming a near-predominant presence on radio (no less than four singles from "Demi"her hit the top 40 in the time following its release), and still finding time to foster a relationship, maintaining her advocacy for anti-Bullying and even writing a self-help book for her loyal fans. Surely all of this success has emboldened Demi, and never the one to be subtle, she steps into her fifth album "Confident" with as much swagger and chutzpah as she's entitled to. Max Martin provides the horn-fueled fanfare to the opening title track, where Lovato belts "You had me underrated/What's wrong with being confident?" Clearly, she's fully intent on making a big and bold statement here, which is somewhat validated by lead single "Cool for the Summer", another Martin-helmed banger dedicated to sexual experimentation. The blunt honesty that front-loads "Confident" is invigorating for a while, since it was sadly missing on the more polite "Demi", but the inevitable slow jam stops the action dead in its tracks around the time Iggy Azalea drops a phoned-in verse on "Kingdom Come", and Sirah shoehorns her way into "Waitin for You" but strangely disappears as fast as she came. Even more of a problem is that "Confident" never recovers after the middle of the record incapacitates it, making it a somewhat bewildering experience to listen through. Lovato 's sound has sufficiently severed all ties with her teen-pop past, she's already proven that she possesses a strong set of pipes and vocal range, so it's truly bizarre as to why she doesn't utilize either of these strengths to the fullest extent on "Confident". Even though she wails and shouts through more than half the record, it's unclear as to what she's so impassioned about. The volume of her voice doesn't give her words more power, and unfortunately neither does the production, which is pretty settled in the adult-contemporary lull of smooth melodies and gospel choir affections. Of course there are a couple moments when the subdued production finds a hook and accentuates it, both "For You" and "Lionheart" present a perfect blend of vocal prowess, understated beats, and catchy lyrics. Most of the time though, "Confident" is demure, very much unlike the one-two sucker punch of its starting tracks. Not that there's necessarily anything wrong with modesty, but Demi has already given us gems like "Skyscraper" and "Give Your Heart a Break", both of which played to the pop sound but were undoubtedly vehicles for showcasing her talents as an artist and singer. It certainly takes talent to keep eleven songs so focused and cohesive, but considering that most of that material is designed to be agreeable, not profoundly innovative or challenging, "Confident" can't really attest to what Demi is truly capable of. Her humanity shone bright on "Demi", but here it's almost as if it's a nuisance rather than a source for inspiration. It all adds up to an interesting listen--an album that shows promise yet falters where it should've succeeded the most.

Recommended Tracks in Bold:
1. Confident             2. Cool for the Summer 3. Old Ways
4. For You                 5. Stone Cold                         6. Kingdom Come
7. Waitin’ for You      8. Wildfire                              9. Lionheart
10. Yes                        11. Father

Selena Gomez-"Revival" Review






After she released one of 2013's best dance-pop albums, "Stars Dance", the road got a little bumpy for Selena Gomez. Or, should we say very bumpy: a stint in rehab after a Lupus diagnosis, tabloid drama over her relationship with Justin Bieber, a few hit-or-miss singles ("I Want You to Know" didn't really live up to expectations, but the R&B-tinged "Good for You" surprisingly turned out to be a big hit for Gomez), all the while balancing her acting career, new management, and a new label. Certainly, Selena Gomez has earned a fresh start (perhaps a vacation as well?), and maybe she's even entitled to name her fifth album "Revival", a choice that carries with it the notion of a new direction, either sonically or lyrically. If you could recall ten years ago when Jennifer Lopez made the same statement by naming her fifth album "Rebirth", it brings a parallel motion into focus: if "Stars Dance" was Gomez's attempt to be "Rihanna", then "Revival" is no doubt her JLO record. The songs, while fashionable and distinctive in their own right, don't aim far beyond middle of the road. The production always hints at creativity and spark, but often submits to the gloss and genericism of modern dance-pop. But unlike JLO, who sounded like she sorta-kinda cared about steering herself towards more unfamiliar territory in "Rebirth", Selena Gomez doesn't muster up the energy to sound half as invested. Since "Revival" is so stubbornly subdued and mannered, any intricacies in the production go by largely unnoticed, while Gomez's vocal performance is mostly ignored in order to emphasize the low hum of the beats beneath patchwork quilts of synths and percussion.

Predictably, "Good for You" is the only track here that strikes the balance between sultry vocals with sexy and subtle production. "Survivors" comes in a close second, benefitting from house and club influences, only without the strong hooks it deserves. "Revival" thankfully only dips below average once as well, on the clumsy and neck-cringing "Hands to Myself", where Max Martin delivers his worst dud since the early days of the teen-pop revival in the 90s. So, Gomez can be proud that she has achieved her most consistent album, but even still, the number of times "Revival" tries to flirt with rebirth ("Rise"), sex ("Good for You"), or relationships ("Camouflage"), is the exact amount of times it fails to cover enough musical ground or lyrical depth in any of those areas ("Revival", "Hands to Myself", and "Sober", respectively). Especially when odd-ball tracks like "Same Old Love" and "Me & The Rhythm" pop in, feeling so slightly out of place, there's no sense of coherency here. Despite the promotion of this record as a personal product of self-love and introspection, "Revival" relies most heavily on its production and style; not necessarily a problem for just any ol' pop record, but on a supposed statement of purpose like this, it's a big issue. Gomez has more writing credits--she even oversaw the album's overall production and direction as well--but she doesn't prove that she consciously knows how to create her own persona outside of Taylor Swift's girl squad or the Radio-Disney tween scene. Even if it's more mature and not as garish as some of her previous work, "Revival" is ultimately weighed down by not letting Gomez be the fun, dynamic character that she so auspiciously wants to be.

Recommended Tracks in Bold:
1. Revival                    2. Kill ‘Em With Kindness     3. Hands to Myself
4. Same Old Love      5. Sober                                     6. Good for You
7. Camouflage         8. Me & The Rhythm        9. Survivors
10. Body Heat             11. Rise