Friday, July 10, 2015

Kacey Musgraves-"Pageant Material" Review


Maybe on some other planet, Kacey Musgraves' 2013 debut "Same Trailer Different Park", a stellar synthesis of neo-traditional country and mid-tempo bluegrass, would've made her Country's breakout star. It didn't even come close--despite winning a Grammy and going Gold, the album surely didn't place her on equal footing with Luke Bryan, Blake Shelton, and Miranda Lambert. However, this lack of hits or less than enthusiastic response at Country radio was definitely not at the fault of Musgraves herself, since her music was humorous, confident, and gripping. Even if the Country marketplace didn't want to embrace a more progressive social view while trading in bro-country for neo-traditionalist styles, there's no merit in dismissing her great talents as a songwriter and artist. Proving her musical prowess is her equally entertaining sophomore record, "Pageant Material". It's not too far removed from Musgraves' debut, but it succeeds in ways that "Same Trailer" faltered. The tempo is still set for walking, but this time there are luscious strings and more vocal harmonies to accentuate the instantly memorable melodies. Themes stay grounded in acceptance, love, and small-town squabbles, but they're continually expounded on through anecdotes about Musgraves' own childhood experiences. There's a certain intimacy in "Pageant Material" that "Same Trailer" lacked, regardless of the fact that no character in these songs are mentioned by a specific name or trait. Additionally, the irony that serves as the heart of Musgraves' words is layered with shrewd metaphors and blunt honesty, making for a much more engaging listen. Best of all, the album winds its way through 46 minutes of music with an ease so effortless, it's hard not to give it a few more spins. Satisfaction is instantaneous, and there's never a point on this record where the notes get dull or the words become corny. Every song provides something for everyone, not because "Pageant Material" is Musgraves selling out to the conformities of Country radio, but because of her careful construction of these songs and diligence in crafting universal anthems that sound good no matter how they are packaged. She kicks the sophomore slump in the ass and instead improves on virtually every aspect of her debut. Even if she never gains the monetary success of her peers, there's no denying that her albums provide richer and more substantial rewards.

Recommended Tracks in Bold:
1. High Time                           2. Dime Store Cowgirl           3. Late to the Party
4. Pageant Material          5. This Town                           6. Biscuits

7. Somebody to Love             8. Miserable                        9. Die Fun
10. Family is Family         11. Good Ol’ Boys Club        12. Cup of Tea
13. Fine

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