Tuesday, March 31, 2015

Billboard March Madness - Maestro Style!

So I decided I don't like how the results of the Billboard.com March Madness (so far). Therefore, I am going to cast my own vote for the match-ups while it's still March (better late than never...right?) I realize that many of you will disagree with my picks. I do not care.

Let's go!!
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ROUND ONE

Happy vs. I'm Not the Only One
Winner: Happy. Fuck Sam Smith.

Anaconda vs. Lips Are Movin
Winner: Lips Are Movin. You know why.

Love Me Like You Do vs. Black Widow
Winner: Love Me Like You Do. Ellie Goulding is bae.

Shake It Off vs. Pompeii
Winner: Shake It off. It's hella catchy!

Drunk in Love vs. Bang Bang
Winner: Bang Bang. Drunk in Love is getting overrated.

Take Me to Church vs. Habits (Stay High)
Winner: Habits (Stay High). Seriously, why do people like 'Take Me to Church'?

Fancy vs. Break Free
Winner: Fancy. It's more fun, and Charli XCX rocks it.

Dark Horse vs. Let Her Go
Winner: Let Her Go. 'Dark Horse' is definitely overrated.

Stay With Me vs. Turn Down for What
Winner: Turn Down for What. Again, fuck Sam Smith!!

Sugar vs. Talk Dirty
Winner: Talk Dirty. Fuck Adam Levine and his tasteless antics!

Uptown Funk! vs. Let It Go
Winner: Let It Go. I'm sorry, but I'm not tired of that song yet!

All About That Bass vs. Wiggle
Winner: All About That Bass. Meghan Trainor knows what to do, with her booty and otherwise.

Problem vs. Thinking Out Loud
Winner: Problem. Ed Sheeran is just so bland now :(

All of Me vs. Animals
Winner: All of Me. Seriously, fuck Adam Levine and his ego! The music video for 'Animals' was downright vile.

Rude vs. FourFive Seconds
Winner: FourFive Seconds. You can't argue with an insta-classic!

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 ROUND TWO

Happy vs. Lips are Movin
Winner: Happy. Because I'm happpyyyyyyy

Love Me Like You Do vs. Am I Wrong?
Winner: Love Me Like You Do. Such a great ballad!

Shake It Off vs. Bang Bang
Winner: Bang Bang. It's even catchier than T-Swift.

Habits (Stay High) vs. Fancy
Winner: Fancy. Tove Lo won because of poor competition last round tbh.

Let Her Go vs. Turn Down for What
Winner: Turn Down for What. Again, Passenger got lucky last time.

Talk Dirty vs. Let It Go
Winner: Let It Go. I'm really sorry, this was a tough choice!!

All About That Bass vs. Problem
Winner: Problem. Maybe it's Ariana. Maybe it's Iggy. But for me it's a no-brainer.

All of Me vs. FourFive Seconds
Winner: All of Me. Simply because it's not a calculated career-boosting move like the other choice...
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ROUND THREE
Happy vs. Love Me Like You Do
Winner: Love Me Like You Do. Ellie Goulding knows how to make great pop.

Bang Bang vs. Fancy
Winner: Bang Bang. Jessie+Ariana+Nicki=PERFECTION!

Turn Down for What vs. Let It Go
Winner: Turn Down for What. Alright, but even "Frozen" can't top a classic party jam.

Problem vs. All of Me
Winner: Problem. It's sassy and catchy, while John Legend sounds a little sleepy.
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ROUND FOUR
Love Me Like You Do vs. Bang Bang
Winner: Love Me Like You Do. Artistically speaking, it's just the better choice.

Turn Down for What vs. Problem
Winner: Turn Down for What. Bringing Lil Jon back was the best thing DJ Snake could've ever done ever. Like. EVER!
 --------------------------------------------------------------------------------------------------------------
ROUND FIVE

Love Me Like You Do vs. Turn Down for What

And the winner is...

Turn Down For What!!!




Wednesday, March 25, 2015

Madonna-"Rebel Heart" Review

















There was a time when Madonna's worst enemy was time itself. Aging in a culture so obsessed with youth and quick changes would take its toll on anyone, but it seemed especially difficult for the Queen of Pop to conceal her vulnerability in the new millennium. But then, a new, even deadlier beast came to crack her carefully constructed armor: the internet. If online trolls weren't constantly throwing out 'flop' tags, then hackers were chomping at the bit to secure even a sliver of new music from Madge. After 2012's "MDNA" underwhelmed upon its release, Madonna could no longer keep the internet at bay, and in December 2014 her worst nightmare (yes, even worse than wrinkles!) came true: someone managed to leak her entire thirteenth album before a single was even announced. This may not have immediately seemed like a turning point in her career, but it was: now her legendary need for total security had been breached, the internet appeared to have gotten the best of her. The leaks weren't taken down in time to prevent thousands of eager fans to consume the unfinished material, but Madonna tapped her ferocious work ethic and quickly released six completed songs by Christmas. Over the next three months, the world got to see her sweat as she hustled to continue her performance schedule (The Grammys, BRIT Awards) and properly finish and release "Rebel Heart" in March 2015. All this calamity took precedence over the album: who could possibly create anything of value when put under such a microscope? Hasn't Madonna already lost her ear for cutting-edge pop? As it turns out, the opposite is true for both questions. Not only has Madonna succeeded in making her best album since "Confessions On A Dancefloor", but its far more imaginative and sprawling than any of her records released thus far in the 21st century. 


Unlike her previous albums, which only sported a couple choice collaborators to helm the entire project, Madonna surrounds herself with every important name in modern pop-- Avicii, Diplo, Ariel Rechtsaid, Toby Gad, Blood Diamonds--and even reunites with Kanye West on the sardonic "Illuminati", while enlisting the assistance of Nicki Minaj, Nas, and Chance The Rapper to drop verses about Madonna's favorite topic: letting the past empower the present. And, by and large, that's exactly what she does with "Rebel Heart", as an album, and as a statement of purpose. She's let enough air into her tightly-sealed machine so that the chilly electronica of her last two albums subsides in favor of a kaleidoscopic range of sounds. Of course, dance often lurks beneath the surface, but the hooks--of which there are a bunch--often come in different packages. Rock, soul, R&B, country, pure pop, it's all here, bringing notice to not only how "Rebel Heart" winds its way through these genre shifts effortlessly, but how the songs themselves can hold up no matter what style in which they're arranged. Anyone with a remedial knowledge of the internet can find the early demos of these recordings, but no matter which version you prefer, the durability of the songs to withstand any mix only goes to show Madonna's superior skills as a songwriter and producer. She may not be on the bleeding edge of the vanguard these days, but her instincts are still sharp. There are some embarrassing lines ("Yeezus loves my pussy best", "Oh my God/soaking wet/back and forth/until we break the bed"), but a couple misguided attempts at relevance are acceptable when they are delimited by an otherwise successful set of melodic, memorable pop. Only Madonna, a maverick talent and savvy superstar, could have made this album the late-career standout it is.







Recommended Tracks in Bold:

1. Living for Love                   2. Devil Pray                     3. Ghosttown

4. Unapologetic Bitch            5. Illuminati                         6. Bitch I’m Madonna
7. Hold Tight                       8. Joan of Arc                      9. Iconic
10. HeartBreakCity          11. Body Shop                    12. Holy Water
13. Inside Out                        14. Wash All Over Me  15. Best Night
16. Veni Vidi Vici                   17. SEX                                18. Messiah
19. Rebel Heart

Wednesday, March 4, 2015

Kelly Clarkson-"Piece By Piece" Review





Believe it or not, it's really been four years since Kelly Clarkson's last LP of original material, 2011's "Stronger". Filling in the gap since then was a marriage, a baby, a greatest hits collection, and a Christmas album. Certainly a woman that's thirteen years into her career with three children in tow might consider settling down, or at least making a low-key country or acoustic album (most people anticipating that former). Instead, Clarkson did the complete opposite, and created her sunniest--and glossiest--set of songs since 2009's "All I Ever Wanted". Quite contrary to country, "Piece By Piece" is a full-hearted dance-pop record, complete with Kelly's strongest set of pipes yet. This genre shift actually doesn't come as a surprise: all of Clarkson's records have been prime artifacts of the mainstream in their given years, whether it be 2003's "Thankful" incorporating adult contemporary and R&B, or 2004's "Breakaway", still her strongest album that thrived on an angsty pop pulse. In 2015's pop atmosphere filled with EDM and Britpop, making a country album would have made no sense for Clarkson, at least, the part of her that's still enjoying the glow of pop stardom. 

Indeed, she does what she does best, and does it well considering how anemic "Piece By Piece" could've ended up. It's a 2015 pop album for sure: synths, not guitars, loud, not soft, guest collaborators by Sia, Greg Kurstin, and John Legend, and almost no writing credits from Clarkson herself. The particulars don't matter as much this time around, though, because regardless of the big-budget, Kelly still manages to push through the electronic sheen and give all of these songs life and spunk. Both Sia co-writes "Invincible" and "Let Your Tears Fall" are some of Clarkson's best soup-for-the-soul songs, while her personal songs "Piece By Piece" and "Heartbeat Song" are thoroughly genuine, no matter how many words actually came from her pen or another's. Does this record cover old ground? In a sense, yes, but despite their dance-pop settings adding a new flavor, "War Paint" and "Good Goes The Bye" sound more energized and optimistic than Clarkson has been in...well, ever. That's not saying "Piece By Piece" is better than "Stronger" or "Breakaway", because it really isn't. It has a smooth texture to it, which ultimately manners some of Clarkson's more aggressive features. It's this slick consistency in the production that actually works against "Piece By Piece". These are catchy songs, but there's not much warmth to them, no matter how much Clarkson belts and coos behind the gloss. Thankfully, though, this isn't "1989"-level ice; Taylor Swift willingly adapted to Max Martin and Ryan Tedder's cold calculations, while Clarkson forces her collaborators to adapt to her. It's this hard determination that saves "Piece By Piece" from falling into pop obscurity, and instead lifts it to the big leagues in which Clarkson has always been a part of, but now is owning her success.

Recommended Tracks in Bold:

1. Heartbeat Song  2. Invincible                         3. Someone
4. Take You High       5. Piece By Piece                6. Run Run Run
7. I Had a Dream       8. Let Your Tears Fall       9. Tightrope
10. War Paint             11. Dance With Me             12. Nostalgic 
13. Good Goes The Bye

Saturday, February 7, 2015

Grammys 2015-Who Should Win

It's Grammy time once again, HOLLAAAAAA. 

Always a staple of my February, I will once again dive into this year's nominees and reveal who I think should win in their respective categories. Just a disclaimer: I won't be listing ALL categories, just selected ones that I have a particular interest in.

Here we go!!

Best New Artist-Bastille
This was kind of hard, because I personally think Sam Smith is overrated, Iggy Azalea is too commercial, Brandy Clark is too un-commercial, and HAIM is kind of old news. Bastille, I think, is definitely the better choice out of this year's nominees.

Record of the Year-"Chandelier" by Sia
The moment I heard this (on the day it came out: March 17, 2014...yep, I'm so much of a hipster I enjoyed the song WAAAYYY before it became popular) I fell in love with it. Don't get me wrong, "All About That Bass" and "Shake It Off" are fun and catchy, but "Chandelier" is just epic and expressive.

Song of the Year-"Take Me to Church" by Hozier
This was kind of a no brainer. The rest of the nominees in this category are either too controversial ("All About That Bass", "Shake It Off") or repetitive ("Chandelier", "Stay With Me"). I still don't know why "Take Me to Church" is so popular, but I will admit it's a well-written song.

Best Pop Solo Performance-"Chandelier" by Sia
Again, no other nominees can match the powerful and emotive punch that Sia's voice packs. This song shows her unique vocal abilities to their very best.

Best Pop Duo/Group Performance-"Bang Bang" by Jessie J, Ariana Grande, and Nicki Minaj
This choice was REALLY tough. "Bang Bang" came in the middle of 2014 and immediately wowed me with Jessie J and Ariana's soulful, sassy vocals while Nicki Minaj delivered one of her best raps to date. However, A Great Big World and Christina Aguilera also did a fantastic job in "Say Something". 

Best Pop Vocal Album-"Ghost Stories" by Coldplay
Once again, I used process of elimination to help decide this category. I first got rid of the overrated (Ed Sheeran's "X" and Sam Smith's "In The Lonely Hour"), and then I got rid of the good, but not the best choices (Katy Perry's "Prism" and Miley Cyrus' "Bangerz"). Ariana Grande's "My Everything" is actually not a good album (it works as a singles-n-filler collection, but not much else), so Coldplay easily swept this one for me. Plus, who doesn't love a Coldplay record?

Best Traditional Pop Vocal Album-"Partners" by Barbra Streisand
What can I say, I do love me some Babs every once in a while! This was the album that made her the only artist to have a number one record in six different decades (60s, 70s, 80s, 90s, 00s, and 10s), plus it features a buffet of male vocalists from a variety of genres to cater to every audience and please longtime Streisand fans. Tony Bennett and Lady Gaga come close with "Cheek to Cheek", but Babs edges them out with a more consistently unified and focused album.

Best Dance Recording-"Rather Be" by Clean Bandit and Jesse Glynne
Once again, I fell in love with this song the moment I heard it. Deep house is a genre that's never been properly showcased on the radio until 2014, when it became a surprise summer hit. Disclosure and Mary J Blige also stun with "F For You", but just like HAIM, it's kind of old news (it originally came out in 2013).

Best R&B Performance-"Drunk in Love" by Beyonce and Jay-Z
Come on, who else do you think should win this category? "Drunk in Love" is definitely one of the best songs on Beyonce's self-titled album, with a saucy video to match its sexually charged pleasures.

Best R&B Song-"Drunk in Love" by Beyonce and Jay-Z
^See the above justification

Best Urban Contemporary Album-"Beyonce" by Beyonce
Yeah it generated most of its hype because of its videos and surprise release more than its music, but don't be fooled. "Beyonce" is a great record, and certainly beats out other nominees such as Chris Brown and Pharrell Williams.

Best Country Album-"Platinum" by Miranda Lambert
If somebody else wins this category (I'm looking at you Eric Church) I will be VERY angry!! "Platinum" is a monster album that I voted the best album of 2014, period. It's filled head to toe with awesome songs sung by an artist at a peak of her artistry and musical abilities.

Best Comedy Album-"Mandatory Fun" by Weird Al Yankovic
It's Weird Al, need I say more?

Best Music Video-"Chandelier" by Sia
Not the visuals I would've expected for the song, but they sure do have an artistic aura about them that make them stand above other notable nominees such as "Happy" and "Turn Down for What"

And finally, the one you've all been waiting for!
Album of the Year-"Beyonce" by Beyonce
I know, the hype surrounding this album should make me want to throw it in with Ed Sheeran and Sam Smith in the "overrated" category, but I just can't. I mean, have you listened to "Beyonce"? There's no question that its music is by far some of the best Beyonce has ever produced, and for making such great artistic strides with this album, I think she well deserves this Grammy.

Friday, January 16, 2015

The Top 10 Artists of the 2010s (so far)

So I'm gonna ride the mid-decade lists a little more and give you who I believe to be the top artists of the 2010s (so far!!!). Obviously there were many options to choose from, but the ten I've listed here and made significant achievements in their music, hit a peak in their respective careers, or have garnered mass acclaim both commercially and critically. These aren't necessarily listed by rank of quality, but rather a mix of popularity and artistic abilities. Since I could only choose ten, I've excluded artists that either hit their career peak in the 2000s (BeyoncĂ©, Kanye, Kelly Clarkson and P!nk), or are popular only because of how much they're hated (Justin Bieber, One Direction, and Lil Wayne). Alrightyyyy, here goes:

10. Luke Bryan
Yeah he's become a bit of a tool, and for all the whiners that point out how Taylor Swift was more pop than country, Luke has also taken some liberties in his music that don't necessarily fit in with the genre (auto-tune, really?). But the results don't lie, since he has become popular not only in country but now the popular realm as well. His last album "Crash My Party" was one of only 7 albums to go platinum in 2013, and he's assembled not only a crap-load of number one hits on the Country charts, but he's also placed several songs in the Top 20 of the all-genre Hot 100 as well. Not to mention he's performed in sold-out tours for a few years now, and his "Tailgates and Tanlines" album was the sixth best-seller of 2012, regardless of genre. Hopefully he'll return to his neo-traditionalist roots one day, but for now, the countless number of screaming women at his concerts (and men as well...hey, Luke Bryan is NOT an ugly guy!) are probably enough to keep him satisfied.

9. David Guetta
In the EDM scene, no other artist has front-lined the genre quite like David Guetta. Sure we also had giants such as Skrillex, Zedd, and Calvin Harris, but none of them scored as many top ten hits as Guetta has, and while Zedd and Calvin have been making their rounds across the pop scene, Guetta has already conquered that territory. In 2012 he delivered one of the best EDM songs ever (the powerful self-help song "Titanium"), while he's also showcased his skills as a producer with his albums "Nothing but the Beat" (no.5, 2011) and "Listen" (no.22, 2014). He's one of the artists in EDM that proves he's not a one-trick pony; he does have a few tricks up his sleeve and can go neo-classical, reggae, dancehall, or hip-hop whenever he so chooses.

8. Sia
"Breathe Me" got buzz going in the 2000s, but 2010's "I'm in Here" is really what really pushed her to the fringes of pop culture. Then when "Wild Ones" and "Titanium" appeared in 2012, there's absolutely no denying it: Sia was all over the place. She's written songs for an innumerable amount of pop performers (even executive producing Kylie Minogue's "Kiss Me Once" album) and then in 2014, she became a star in her own right with her first no. 1 album ("1000 Forms of Fear") and her first top-ten hit as a lead artist ("Chandelier", no. 8). Besides the fact that everything she touches turns to gold (quite literally, as the RIAA would say), you've got to admit she's got BOSS skills as a songwriter. Her vocal style may not suit everyone, but she's passionate about what she does and is really in it for the music, not the fame that comes with it (as she said so herself in her "I Don't Want to be Famous" manifesto").

7. Adele
Before you get mad, I'll let you know that I REALLY wanted to place Adele higher on the list, but I had to face facts: ALL of her success in the 2010s has come from only ONE album, "21". Now obviously it was an unprecedented smash, spending 79 weeks in the US top ten, selling 30 million copies worldwide and sweeping up 7 Grammy awards in 2012-2013. Three of its singles reached the top of the Hot 100 ("Rolling in the Deep", "Someone Like You", "Set Fire to the Rain") and the amount of airplay and publicity she's gotten by simply breathing is truly extraordinary. I will admit she's probably the best, highest quality artist on the this list, but once again, aside from 2011-2012, she hasn't been AS ubiquitous as the next artists coming up. But her voice though...WOW.
 
6. Bruno Mars
Two successful albums ("Doo-Whops and Hooligans" and "Unorthodox Jukebox"), six number-one singles ("Just The Way You Are", "Grenade", "Nothin on You", "Locked Out of Heaven", "When I Was Your Man", "Uptown Funk!") among many top ten hits, a super-bowl performer, AND a successful touring artist? Mr. Mars has definitely been getting his fill of success this decade. Not to mention he's also been writing songs for other pop acts as well (the majority of which before he became a solo artist, of course). Among male artists this decade, Bruno Mars is definitely my pick for the best so far, so the top five of this list are all inhabited my female artists.
 
5. Nicki Minaj
No matter what quality of music you think she does, there's once again no arguing with the results. She's appeared on the Hot 100 a total of 57 times so far in the 2010s (that's more than Madonna's career-spanning 56 entries), with at least 20 of those songs with her as a lead artist (the other 37 are from every rapper and pop artist and their mothers featuring her on virtually all of their songs). She's also released three successful albums, two of which hit no. 1 and went platinum ("Pink Friday" and "Roman Reloaded") as well as a no. 2 set (her latest masterwork "The Pinkprint"). Whether you like it or not, her enormous popularity has bolstered her career to heights unseen in those of female rappers. Even when her latest competitor Iggy Azalea threatened to take the throne, Miss Minaj showed her whose boss by overshadowing her success with singles like "Bang Bang" and "Anaconda".
 
4. Taylor Swift
Her album sales alone would warrant her place on this list (12 million so far this decade from her albums "Speak Now", "Red", and "1989"), but she's not THE most successful because her singles career really didn't consistently perform well until 2012, when "We Are Never Ever Getting Back Together" and "I Knew You Were Trouble" hit nos. 1 and 2, respectively. She didn't see another top-ten album single until "Shake it Off" reached the summit in August 2014...more than a year and a half later. But her mass appeal amongst US citizens is undeniable (once again mostly due to those screaming fan girls who populate her many sold-out tours). Not the best vocal abilities, but her songwriting skills continue to impress and eclipse those of her peers, both country and pop.
 
3. Lady Gaga
Little monsters, PAWS UP!!! Admit it, Lady Gaga OWNED 2010, and has been gradually slipping in popularity since. But still, that has absolutely no bearing on the sheer amount of success she's acquired since this decade began. She writes all of her own music, produces most of it with her expert choice of collaborators, and her legions of fans spread not only nationwide like Taylor Swift, but worldwide as well. Her blockbuster "Monster Ball Tour" ran TWO years from 2009-2011, and when "The Fame" and "The Fame Monster" started losing their sales in mid-2011, "Born This Way" was quick to save the day, and sold 1,108,000 copies in its first week. It spawned the hits "Born This Way", "The Edge of Glory", "You and I" and "Judas", and all of their music videos were just as creative as Gaga's outings earlier in the decade. "ARTPOP", released in 2013, topped the Billboard 200 and contained comeback single "Applause", while 2014's duet album with Tony Bennett "Cheek to Cheek" also reached no. 1 on the charts.
 
2. Katy Perry
Her 2010 smash album "Teenage Dream" spewed five number one singles (six if you include the deluxe-edition cut "Part of Me"), the only other artist to achieve that feat? Michael Jackson! And the album itself sold a lot of copies too. Also, Katy Perry spent 69 consecutive weeks in the Hot 100 top ten from 2010-2012, and her latest album "Prism" spawned two more number one singles: "Roar" and "Dark Horse". She simply could not be stopped, adding two wildly successful tours and a moderate box-office hit "Part of Me", released in 2012. Now she's slated to perform at the 2015 Super Bowl, how much more successful can you get? Well, obviously someone tells us how, as there's still one artist left.
 
1. Rihanna
Her career was already red-hot in the 2000s, but no one could have predicted the unparalleled amount of success she's had in the 2010s. Three albums that reached the top three of the Billboard 200 (including the chart-topper "Unapologetic"), all of which spawned numerous top ten hits. However, among all artist to top the Hot 100 in the years 2010-2014, Rihanna has spent the most amount of weeks at the apex, with a total of 32 (across eight chart toppers: "Rude Boy", "Love the Way You Lie", "(Only Girl) in the World", "What's My Name?", "S&M", "We Found Love", "Diamonds", and "The Monster"). She's done numerous tours this decade, and in 2012 she became the first female artist to receive the VMA for Video of the Year twice (Eminem first achieved the feat in 2000 and 2002). Rihanna once stated she'd like to become the "Black Madonna"; I'd say she's well on her way to getting there.

Thursday, January 15, 2015

The Top 50 Songs of the 2010s (so far)

It's time for the wonderful mid-decade lists! Since I'm impatient and need instant gratification, I just simply couldn't wait until the end of 2019 to do a "Best of the 2010s" songs list, so I'll compromise and do it five years into the decade (covering 2010-2014). I've combed through all of my "Top Songs" lists from the start of the decade, and I've now put them in order from 1-50. As you might've guessed, since this is a mid-decade list, only half the volume of songs are required for this comprehensive list of hits. Well, here they are:

50. PitBull and Ke$ha-Timber (2014)
49. P!nk-Blow Me (One Last Kiss) (2012)
48. Taylor Swift-I Knew You Were Trouble (2013)
47. Rihanna and Mikky Ekko-Stay (2013)
46. Meghan Trainor-All About That Bass (2014)
45. Ariana Grande and Iggy Azalea-Problem (2014)
44. Maroon 5 and Wiz Khalifa-Payphone (2012)
43. Jennifer Lopez and PitBull-On The Floor (2011)
42. Nelly-Just a Dream (2010)
41. Taio Cruz-Dynamite (2010)
40. Nicki Minaj-Starships (2012)
39. P!nk-Raise Your Glass (2010)
38. Kelly Clarkson-What Doesn't Kill You (Stronger) (2012)
37. OneRepublic-Counting Stars (2014)
36. Ellie Goulding-Lights (2012)
35. Magic!-Rude (2014)
34. P!nk and Nate Ruess-Just Give Me a Reason (2013)
33. Katy Perry-Firework (2011)
32. Bruno Mars-Just The Way You Are (2010)
31. Cee Lo Green-Fuck You (2011)
30. Bruno Mars-Grenade (2011)
29. Sam Smith-Stay With Me (2014)
28. Nicki Minaj-Super Bass (2011)
27. Jason Derulo and 2 Chainz-Talk Dirty (2014)
26. Adele-Set Fire to the Rain (2012)
25. Imagine Dragons-Radioactive (2013)
24. Lady Antebellum-Need You Now (2010)
23. Iggy Azalea and Charli XCX-Fancy (2014)
22. Daft Punk and Pharrell-Get Lucky (2013)
21. Jay-Z and Alicia Keys-Empire State of Mind (2010)
20. Katy Perry and Kanye West-ET (2011)
19. fun and Janelle Monae-We Are Young (2012)
18. Justin Timberlake-Mirrors (2013)
17. Ke$ha-Tik Tok (2010)
16. John Legend-All of Me (2014)
15. BOB and Hayley Williams-Airplanes (2010)
14. Katy Perry and Juicy J-Dark Horse (2014)
13. Macklemore & Ryan Lewis and Ray Dalton-Can't Hold Us (2013)
12. Lady Gaga-Bad Romance (2010)
11. Adele-Someone Like You (2011)
10. Robin Thicke, Pharrell, and TI-Blurred Lines (2013)
9. Pharrell-Happy (2014)
8. Gotye and Kimbra-Somebody That I Used to Know (2012)
7. Carly Rae Jepsen-Call Me Maybe (2012)
6. Macklemore & Ryan Lewis and Wanz-Thrift Shop (2013)
5. Rihanna and Calvin Harris-We Found Love (2011)
4. LMFAO, Goonrock and Lauren Bennett-Party Rock Anthem (2011)
3. Eminem and Rihanna-Love The Way You Lie (2010)
2. Katy Perry and Snoop Dogg-California Gurls (2010)
1. Adele-Rolling in the Deep (2011)